Oh well, all good things must come to an end - except, well, this isn’t really very good. It’s reminiscent of the second Enfield Haunting one (2016) as the Smurl family start to find their home is being terrorised by a spirit that this time has been malevolently lingering on the land that their new home has been built on. Initially, the Warrens (Patrick Wilson and Vera Farmiga) are reluctant to get involved, but when a priest is found dangling down the stairwell of the bishop’s residence and then their daughter “Judy” (Mia Tomlinson) - whom we learn had her own near-death experience at birth - gets involved with the struggling and terrified family, it falls to them and her unsuspecting but plucky boyfriend “Tony” (Ben Hardy) to try and save the day before the body count gets any larger. I liked Hardy in “Unicorns” (2023). He brings an enthusiasm to the roles he plays and he actually does fine here. The rest of it, though, is entirely by-the-numbers stuff only now we are in the attic with a mysterious mirror. Every scenario that involves a degree of peril also involves a degree of stupidity. Who walks into a darkened room at the best of times without turning on the light? Let alone when the place is creaking and moaning. Farmiga looks more like she belongs in “Downton Abbey” every time she appears and at well over two hours, this is seriously strung out as it tries to incorporate familial and investigative history into this fairly repetitious series of spooky set-pieces. Sorry, but this just isn’t anyone’s finest hour, the story is pretty unoriginal and I went away hoping that this was, indeed, the last rites.