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Bullets Over Broadway

7.1R

MovieComedy, Crime19941h 38m

A killer comedy!

After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.

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Bullets Over Broadway poster

After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.

Directed by
Woody Allen
Written by
Douglas McGrath, Woody Allen
Genres
Comedy, Crime
Released
October 14, 1994
Runtime
1h 38m
Status
Released
Language
English
Countries
United States of America
Studios
Miramax, Jean Doumanian Productions, Sweetland Films
Budget
$20,000,000
Box office
$37,483,747
  • John CusackDavid Shayne
  • Chazz PalminteriCheech
  • Dianne WiestHelen Sinclair
  • Jennifer TillyOlive Neal
  • Mary-Louise ParkerEllen
  • Tracey UllmanEden Brent
  • Jim BroadbentWarner Purcell
  • Joe ViterelliNick Valenti
  • Harvey FiersteinSid Loomis
  • Rob ReinerSheldon Flender
  • Jack WardenJulian Marx
  • Tony SiricoRocco
  • Victor ColicchioWaterfront Hood
  • Louis EppolitoWaterfront Hood
  • Gene CanfieldWaterfront Hood
  • Peter CastellottiWaterfront Hood
  • TTony ConfortiWaterfront Hood
  • John Di BenedettoWaterfront Hood
  • John VentimigliaWaterfront Hood
  • Lisa ArturoThree Deuces Chorus Line

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  • CinemaSerf★ 7December 7, 2024
    Despite his obvious enthusiasm, "Shayne" (John Cusack) can't convince producer (Jack Warden) to raise the cash to put on his latest play. There's just no demand for it, especially as his first two efforts didn't exactly set the heather on fire. Then an opportunity presents itself. It's one with compromise, though. He can have the thing fully funded if he agrees to cast "Olive" (Jennfer Tilly). Snag? Well she couldn't…Read more

    Despite his obvious enthusiasm, "Shayne" (John Cusack) can't convince producer (Jack Warden) to raise the cash to put on his latest play. There's just no demand for it, especially as his first two efforts didn't exactly set the heather on fire. Then an opportunity presents itself. It's one with compromise, though. He can have the thing fully funded if he agrees to cast "Olive" (Jennfer Tilly). Snag? Well she couldn't act her way out of a paper bag and has one of those squeaky voices that killed so many a silent-film star! Her boyfriend, "Nick" (Joe Viterelli) is the local kingpin so it's a straight choice - cast her or no cash. Much to the chagrin of the uber-theatrical "Helen" (Dianne Wiest) he decides to sacrifice his honour for his art, and what now ensues sees this mix of thespians, crooks, amateurs and temper-tantrums try to get the play on the stage. Just to make sure she's OK, her boyfriend has sent his enforcer "Cheech" (Chazz Palminteri) as a bit of security for "Olive" and his no-nonsense approach to the production histrionics of the whole thing initially brings him into conflict with the director, but gradually "Shayne" begins to realise that "Cheech" has a bit of an aptitude for writing, and so a collaboration of sorts emerges that against all the odds might just give this thing a fighting chance. Wiest is at her best here delivering a sort of "Streisand" meets "Norma Desmond" character that epitomises that generation of film star who really did believe their own publicity machine. Cusack also does well, as does Palminteri and there's an engagingly (and annoyingly) lively effort from Tilly who plays the rather witless moll to a T. It's funny at times, especially if you've ever worked in the theatre and packs quite a lot of entertainment, and swipes at that very industry, into a ninety minutes that hits the ground running and rarely stops for breath. One of Woody Allen's more original concepts that takes him away from his routine man-with-neuroses comfort, is stylishly put together, and is well worth a watch.

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