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Homo Argentum

6.1

MovieComedy20251h 38m

16 mini-movies in 1 single big movie

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

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Homo Argentum poster

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

Directed by
Mariano Cohn, Gastón Duprat
Written by
Mariano Cohn, Gastón Duprat, Andrés Duprat
Genres
Comedy
Released
August 14, 2025
Runtime
1h 38m
Status
Released
Language
Spanish
Countries
Argentina, Italy
Studios
Televisión Abierta, Star Original Productions, Pampa Films, INCAA, Gloriamundi Producciones, Rhino Films, Blue Film, Dea Film
Budget
$5,500,000
Box office
$10,940,000
  • Guillermo FrancellaProtagonista
  • Marcelo Melingo(Segment: "Aquí no ha pasado nada")
  • SSabrina Olmedo(Segment: "Aquí no ha pasado nada")
  • FFernanda Lanusse(Segment: "Aquí no ha pasado nada")
  • JJuan Bruchou(Segment: "Aquí no ha pasado nada")
  • VVirginia Lagarrigue(Segment: "Aquí no ha pasado nada")
  • FFernando Ariel Menghi(Segment: "Aquí no ha pasado nada")
  • AAlberto Damián Fusaro(Segment: "Aquí no ha pasado nada")
  • PPablo Palacio(Segment: "Noche de suerte")
  • Clara KovacicFriki (Segment: "Noche de suerte")
  • SSol Titiunik(Segment: "Noche de suerte")
  • JJavier Grassi(Segment: "Noche de suerte")
  • AAriel Martinez(Segment: "Piso 54")
  • Eva De DominiciAna (Segment: "Piso 54")
  • JJorge Barril(Segment: "Bienvenidos a Buenos Aires")
  • MMatías Tamburri(Segment: "Bienvenidos a Buenos Aires")
  • GGau Bornes(Segment: "Bienvenidos a Buenos Aires")
  • SSelma Dos Santos(Segment: "Bienvenidos a Buenos Aires")
  • Graciela StefaniNancy (Segment: "El niño eterno")
  • JJesica Jurberg(Segment: "El niño eterno")
  • Brent Marchant★ 9April 26, 2026
    It’s funny how things can turn out in life’s everyday scenarios. And, in this anthology of 16 short films from directors Mariano Cohn and Gastón Duplat, this inspired collection of comic vignettes reveals just how funny those funny situations can be. All of the offerings in this compilation feature performances by actor/comedian Guillermo Francella, who deftly brings distinctly different personas to each of his roles…Read more

    It’s funny how things can turn out in life’s everyday scenarios. And, in this anthology of 16 short films from directors Mariano Cohn and Gastón Duplat, this inspired collection of comic vignettes reveals just how funny those funny situations can be. All of the offerings in this compilation feature performances by actor/comedian Guillermo Francella, who deftly brings distinctly different personas to each of his roles, demonstrating a broad range of characterizations that are wholly appropriate for the various stories of which they’re a part. The nature of the narratives in question also varies widely, featuring characters and storylines that explore an array of aspects of contemporary Argentine life (primarily from a male perspective), including scenarios that are ridiculous, sublime, cynical, clever, satirical, pompous, vain, well-meaning and everything in between. Admittedly, not all results are created equal here, but, except for one overly serious sequence that seems significantly out of place, the remaining 15 pieces all deliver the goods, serving up laughs in different measure, both big and small and always enjoyable. Most are comedy sketch length, although a few are little more than extended punchlines (and that, ironically, are among the best bits in the finished product). In that sense, then, this release plays like much like another Argentinian compilation of this type, the Oscar-nominated foreign language feature, “Wild Tales” (“Relatos salvajes”) (2014), only in smaller bites and with a kinder, gentler edge to its stories. In the interest of full disclosure, I had some genuine reservations about “Homo Sapiens?” when I first viewed its somewhat unimpressive trailer, which, quite frankly, doesn’t do justice to its material, making many of its segments look like bad sketches from The Benny Hill Show (1969-1989). Thankfully, though, that impression was more than adequately dispelled in the final cut. It may not be outrageously raucous, but it’s certainly a lot of fun, and who doesn’t like that?

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