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The Importance of Being Earnest

7.2

MovieComedy19521h 35m

They don't come any wilder than Oscar Wilde's classic comedy of manners, morals and morality!

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

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The Importance of Being Earnest poster

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

Directed by
Anthony Asquith
Written by
Anthony Asquith
Genres
Comedy
Released
June 2, 1952
Runtime
1h 35m
Status
Released
Language
English
Countries
United Kingdom
Studios
Javelin Films, British Film-Makers, J. Arthur Rank Organisation
  • Michael RedgraveErnest Worthing
  • Michael DenisonAlgernon Moncrieff
  • Edith EvansLady Bracknell
  • Joan GreenwoodGwendolen Fairfax
  • Dorothy TutinCecily Cardew
  • Margaret RutherfordMiss Prism
  • Miles MallesonCanon Chasuble
  • Richard WattisSeton
  • Walter HuddLane
  • Aubrey MatherMerriman
  • Ivor BarnardConductor (Uncredited)

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  • Criterion Channel

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Availability for your region. Streaming data provided by JustWatch.

  • CinemaSerf★ 7September 9, 2022
    There's little point in outlining the plot here - it's not what the film is about. It is the combination of characterisations and the wonderfully witty writing of Oscar Wilde that make this a thoroughly enjoyable film to watch. It makes no bones about it's theatrical origins - even featuring a curtain at the start and the finish, and that sets us up for a cracker of a comedy that swipes at snobbery, pomposity, crass…Read more

    There's little point in outlining the plot here - it's not what the film is about. It is the combination of characterisations and the wonderfully witty writing of Oscar Wilde that make this a thoroughly enjoyable film to watch. It makes no bones about it's theatrical origins - even featuring a curtain at the start and the finish, and that sets us up for a cracker of a comedy that swipes at snobbery, pomposity, crass stupidity, deception and offers us a tour de force effort from the inimitable Dame Edith Evans ("Lady Bracknell"). Anthony Asquith has created a delightfully honest interpretation of the play - the dialogue is pithy and quickly paced, few lines are wasted and the talents of Michael Redgrave, Michael Denison, Dorothy Tutin, the perfectly cast Joan Greenwood as "Gwendoline" and Margaret Rutherford as the prim "Miss Prism" combine to give us a genuinely laugh-out-loud series of scenarios that are a joy to behold. It's colourfully set, the costumes a delight (though, I felt seriously gaudy at times!) and the comically timed mannerisms, gestures and charisma of the performers is great, too. It is rare for a piece of theatrical comedy to transfer so effortlessly to the big screen, but here it all looks so very natural...

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