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Automata

5.9R

MovieThriller, Science Fiction20141h 50m

Your time is coming to an end – Ours is now beginning

Jacq Vaucan, an insurance agent of ROC robotics corporation, routinely investigates the case of manipulating a robot. What he discovers will have profound consequences for the future of humanity.

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Automata poster

Jacq Vaucan, an insurance agent of ROC robotics corporation, routinely investigates the case of manipulating a robot. What he discovers will have profound consequences for the future of humanity.

Directed by
Gabe Ibáñez
Written by
Gabe Ibáñez, Javier Sánchez Donate, Igor Legarreta
Genres
Thriller, Science Fiction
Released
October 9, 2014
Runtime
1h 50m
Status
Released
Original title
Autómata
Language
English
Countries
Bulgaria, Spain
Studios
Green Moon Productions, Nu Boyana Viburno
Budget
$7,000,000
Box office
$6,237,990
  • Antonio BanderasJacq Vaucan
  • Melanie GriffithDr. Susan Dupré / Cleo (voice)
  • Birgitte Hjort SørensenRachel Vaucan
  • Dylan McDermottWallace
  • Robert ForsterRobert Bold
  • Tim McInnernyVernon Conway
  • Andy NymanEllis
  • David RyallDominic Hawk
  • Geraldine SomervilleSamantha
  • Andrew TiernanManager
  • Christa CampbellROC Technician
  • Christina TamMorgue Technician
  • Danny KirraneMuniesa Technician
  • Philip RoschClient
  • Albena StavrevaClient's Wife
  • Javier BardemBlue Robot (voice)
  • Harry AnichkinClift
  • Lyubomir NeikovPoot
  • Stanislav PishtalovLance
  • Bashar RahalDoctor

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  • radu.berbeceNovember 1, 2014

    I have just watched it and I have no clue as to what it's message was. Just a pointless movie really.

  • CinemaSerf★ 6May 3, 2026
    Following a series of environmental catastrophes, mankind has been reduced to one single sity of 20 million souls living under an umbrella of artificial clouds that do what they can to provide rainwater. Determined to reclaim some of their lost territory, the ominous "ROC Corporation" creates it's latest robot - the "Pilgrim" to try to help humanity. It has two rules: it can't harm or allow a person to be harmed and…Read more

    Following a series of environmental catastrophes, mankind has been reduced to one single sity of 20 million souls living under an umbrella of artificial clouds that do what they can to provide rainwater. Determined to reclaim some of their lost territory, the ominous "ROC Corporation" creates it's latest robot - the "Pilgrim" to try to help humanity. It has two rules: it can't harm or allow a person to be harmed and it cannot harm or alter itself or another android. Pretty watertight security protocols, eh? Sort of like in "iRobot" (2004) eh? Anyway, when one of these mechanical critters is shot by sceptical policeman "Wallace" (Dylan McDermott) who suspects that some altering was indeed going on, the company drafts in investigator "Vaucan" (Antonio Banderas) to get to the bottom of things. This man has an ulterior motive in taking on this job, as he wants to be able to relocate his heavily expectant wife "Rachel" (Birgitte Hjort Sørensen) to the seaside. A visit to a brothel introduces them to the blue haired "Cleo" and thence to scientist "Dupré" (Melanie Griffith) who advises that it might well be that the robots don't need any human intervention to change their programming, but that a natural evolution might be possible enabling them to become self aware and then, obviously, to take steps to advance their own species whether human beings liked it or not. Needless to say, the corporates cannot allow even an hint of such information to reach the public or the politicians, and so they takes steps that see "Vaucan" turn from hunter to hunted - and by noneother than "Wallace", too. Might a solution lie with the enigmatic "Clocksmith" or might the entire human race be doomed? Banderas does his best here, and some of the animatronic visual effects are impressive but the story is simply too derivative and the dialogue - of which there is plenty - has a blandness to it that doesn't really help to characterise either "Vaucan" or anyone else, nor does it really fill in many of the puzzling plot-holes that curiously pepper this sci-fi drama. It's portents of the dangers of self growing AI are clearly presented to anyone who is anxious about the automation of our society and of our increasing dependence on that, but again none of that is exactly original either. It's worth a watch, but I was disappointed.

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