
The Thief of Bagdad
1940

"Happiness Must Be Earned"
A nameless thief falls in love with the Caliph of Bagdad's daughter. The Caliph will give her hand to the suitor that returns with the rarest treasure after seven moons. The thief sets off on a magical journey while, unbeknownst to him, another suitor, the Prince of the Mongols, is not playing by the rules.

A nameless thief falls in love with the Caliph of Bagdad's daughter. The Caliph will give her hand to the suitor that returns with the rarest treasure after seven moons. The thief sets off on a magical journey while, unbeknownst to him, another suitor, the Prince of the Mongols, is not playing by the rules.
Douglas FairbanksThe Thief of Bagdad
Snitz EdwardsHis Evil Associate
Charles BelcherThe Holy Man
Julanne JohnstonThe Princess
Sôjin KamiyamaThe Mongol Prince
Anna May WongThe Mongol Slave
Brandon HurstThe Caliph
Tote Du CrowThe Soothsayer
Noble JohnsonThe Indian Prince
Laska WinterSlave of the Lute (uncredited)
Etta LeeSlave of the Sand Board (uncredited)
Mathilde ComontPersian Prince (uncredited)
Charles StevensPersian Prince's Awaker (uncredited)
Eugene JacksonChild (uncredited)
Jesse Lasky Jr.(uncredited)
David Sharpe(uncredited)











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This just goes to show - almost a century after it was made, that quality has longevity. The recently restored version of Raoul Walsh's fabulously lavish adaptation of the Arabian Nights fantasy was scored by the hugely imaginative Carl Davis (at times based around some really suitable Rimsky-Korsakov themes) featuring a charmingly athletic Douglas Fairbanks as the eponymous character who thrives as a petty thief. Soon, though, he espies the beautiful daughter of the Caliph (Julanne Johnston) who is to be married. He decides to impersonate a prince and become one of her suitors - without bargaining on the evil Mongol Prince who has designs on both the Princess and the throne of Baghdad itself. It is amazing how effortlessly the film still holds the attention - with only a minimal use of text boards - and the more you watch, the more delicate and clever the performances become. There is no script to moan about; just a hugely creative perception of the original fables - it is just a wonderful piece of imagination set to pictures and music that is a real must watch.

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