"Sam" (Javon Walton) lives with his mum in a run down housing project in Granite City (no, not Aberdeen) where he is frequently bullied. After the timely intervention of his neighbour "Mr. Smith" (Sylvester Stallone) the youngster starts to believe that his rescuer may be none other than the eponymous super-hero who went missing some twenty years earlier. Could he be back to save the city from terminal decline at the hands of his "Nemesis"? Well despite the reticence of "Smith", the young man is determined that he can cajole his newfound friend into saving society. As the pair start to bond, we realise that this young man is decent and has potential and that his elderly chum has quite a few skeletons in his closet - though perhaps not quite the ones anyone is expecting. Sadly, though the young Walton is quite effective, the underused Stallone is just going through the motions and the story is an amalgam of loads of other DC/Marvel style affairs with some fairly pedestrian writing underpinning a disappointingly under-developed story. The ending has a twist but it's not really enough to redeem the rest of this rather predictable effort that, though it looks fine, is all pretty forgettable fayre from all concerned.

**Surprisingly deep for a Stallone movie** Wonderful and uplifting movie and story with some relatively deep messages that I didn't expect in a superhero movie starring Stallone. The twist was good too and nicely build up, though maybe they were building up the twist a bit too well. Cause if you think about it, the title itself already gives away the twist, at least to someone who is familiar with the Bible and knows what "Samaritan" refers to. Cause a "good Samaritan" isn't simply a good guy, but is actually someone who is supposed to be bad, but turns out to become good in the end, which is exactly what Stallone's character (Joe) goes through. So in a way, he really is the Samaritan of the movie and the true antagonist Cyrus, really is the perfect "nemesis" for him as they are actually perfect counterparts. While Joe becomes good, Cyrus becomes bad. While Joe starts fighting crime, Cyrus instigates it. While Joe bears his cross, Cyrus breaks the cross (literally). Joe is a loner who avoids crowds and hates getting attention, while Cyrus baths in crowds, leads them and incites them, and while Joe goes around looking for broken things (both objects as well as people) that he can fix, Cyrus believes in "Ordo ab Chao" or to put it more direct, in breaking things before things can be rebuild. Talking on a deeper lever, there is both Christian and occult symbolism in this movie, though unlike with many other Hollywood movies, the occult aspects aren't glorified. And though the movie appears to be morally ambiguous, it actually isn't. Joe might seem like a very unchristian hero, but in the end he is probably the most Christian hero seen in a mainstream Hollywood movie in a long time.