
Gabriel's Inferno: Part II
2020

The seeds of love grow like the seeds of hate.
Narvel Roth is a meticulous horticulturist who is devoted to tending the grounds of a beautiful estate and pandering to his employer, the wealthy dowager Mrs. Haverhill. When she demands that he take on her wayward and troubled niece, it unlocks dark secrets from a buried violent past.

Narvel Roth is a meticulous horticulturist who is devoted to tending the grounds of a beautiful estate and pandering to his employer, the wealthy dowager Mrs. Haverhill. When she demands that he take on her wayward and troubled niece, it unlocks dark secrets from a buried violent past.
Joel EdgertonNarvel Roth
Sigourney WeaverNorma Haverhill
Quintessa SwindellMaya Core
Esai MoralesOscar Neruda
Eduardo LosanXavier
Victoria HillIsobel Phelps
Amy LeJanine
Erika AshleyMaggie
Timothy McKinneyRonnie
Jared BankensRG
Matt MercurioSissy
Christian VaughnJohn
Emily RussellWaitress
Jef FigalloUS Marshall #2
Sean RichmondUS Marshall #1
Monica R. HarrisFemale Host
Rick CosnettStephen Collins
Bruce MohatThe Old Man
Cade BurkJohnny Boy
DJames JonesReverend Charles











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"Narvel" (Joel Edgerton) is the head gardener on the estate of the wealthy, slightly eccentric, "Norma" (Sigourney Weaver) with both being enormously proud of their horticultural expertise and creations. One afternoon, she entertains him to tea and explains that her great-neice "Maya" (Quintessa Swindell) will be joining his team as an apprentice. The women have never met, nor does "Norma" know much about her - but he agrees and she duly arrives. Initially, we think she's a typically recalcitrant teenager with ripped jeans and permanently glued to her earphones. It becomes quite clear, though, that she is interested and the two begin to bond. There are some extra-curricular elements to the plot that gradually draw the story away from the simplicity and precision of the gardening theme and immerse us in the hatred of white supremacy and the violence of drug dealing and the film becomes more predictable. The first twenty minutes or so have an intriguing intensity to them but as the story develops, the (romantic) melodrama creeps in and the story starts to lose it's originality. By the last half hour I found the whole thing had become really quite mediocre and Edgerton, who starts off as something of an enigma ends up rather banal. That said, his performance is quite effective, menacing even, at times and Swindell is competent enough - it's just all a bit seen it before. Worth a watch, but it could have delivered better.

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