7.4
Disney Gallery / Star Wars: The Mandalorian
2020
When George Lucas set out to make Star Wars, little did he know he would end up revolutionizing an industry. This is the story of a team of creative geniuses who put the magic in the movies we love.
"Gang of outsiders."Jul 27, 2022 · 60m · ★ 6.6The year is 1975, and George Lucas has a problem. There is no visual effects company in Hollywood capable of realizing the massive vision behind his new film “The Star Wars”. George and camera expert John Dykstra assemble an unlikely team of artists and dreamers for the job, but despite their best efforts and some remarkable new technology, the ILM team falls woefully behind.
"On the bucking bronco."Jul 27, 2022 · 54m · ★ 7.0When a near fatal wreck thwarts his boyhood dream of racing cars, George Lucas finds success as a filmmaker. He spends his own money on the special effects of an ambitious new “space opera”, but progress is painfully slow. With the help of key new hires, ILM rallies to finish the film on time. Star Wars premieres to worldwide success, yet George remains curiously unsatisfied with the results.
"Just think about it."Jul 27, 2022 · 64m · ★ 6.8After Star Wars, ILM moves north to a new facility—but not everyone is invited. As work begins on The Empire Strikes Back, the team faces unprecedented new challenges. Frustrated by the available tools, George creates a new division to help modernize filmmaking. Upon the release of Empire, ILM takes on outside work for the first time, setting the stage for a remarkable string of success.
"I think I found my people."Jul 27, 2022 · 64m · ★ 6.8A new partnership with Steven Spielberg results in the memorable effects of Raiders of the Lost Ark, E.T., and more. Meanwhile, the computer graphics group scores its first digital breakthrough. As the 80s blockbuster era rolls in, ILM crews are competing against each other, for both resources and awards. When George makes a fateful business decision, ILM is forced to rebuild on the fly.
"Morfing."Jul 27, 2022 · 55m · ★ 7.1ILM enters the digital era as its revamped computer division faces its first big test with Willow. With a new team of rebels arriving at the company eager to push CG to its limits, James Cameron gives them a chance with The Abyss and Terminator 2. But the transition to digital is not without its casualties, as some struggle to adapt. Then Steven Spielberg returns with his greatest challenge yet.
"No more pretending you're dinosaurs."Jul 27, 2022 · 64m · ★ 6.8Stop-motion genius Phil Tippett feels like he’s gone extinct when CG unexpectedly takes center stage in Jurassic Park. The watershed moment convinces George Lucas to return to his long-planned Star Wars prequel trilogy and push the technology even further. As digital filmmaking continues to grow and evolve, The Volume proves that the spirit of innovation remains alive and well at ILM.
When George Lucas set out to make Star Wars, little did he know he would end up revolutionizing an industry. This is the story of a team of creative geniuses who put the magic in the movies we love.
George LucasSelf
Lorne PetersonSelf
Dennis MurenSelf
Phil TippettSelf - Model Shop
Ron HowardSelf - Academy Award Winning Filmmaker
Ken Ralston
Steven SpielbergSelf - Director, Jurassic Park
Jim MorrisSelf - Visual Effects Producer / ILM General Manager, 1991 - 1993
John KnollSelf - Visual Effects Supervisor
Edwin CatmullSelf - Head of Lucasfilm Computer Division, 1979-1985
Doug ChiangSelf - Creative Director
Richard EdlundSelf - Visual Effects Supervisor
Ben BurttSelf - Sound Designer and Editor
Joe JohnstonSelf (archive footage)
Paul HirschSelf
James CameronSelf
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