This show feels as if it has inspired Barry, my favourite show that is currently airing. Breakneck pacing, stress and anxiety inducing scenario, fleshed out characters, really sad outcomes, some good drama and really funny all in one. This show's writing is very peculiar in many ways, very quirky in nature but works to its advantage in producing comedy in addition to making the characters more endearing without breaking the gravity or reality of the show which is very impressive. There's a lot of cool cinematography in here from the various perspective shots, slow push-ins and long takes, the latter 2 of which are extremely effective in replicating the sense of pressure being piled on, anxiety and stress and really getting you in the head inside of our main character. The acting in this show is excellent, you can feel how depressed, sad and done John is with everything, everyone else's concern and you just get a real sense of character from each performance. I absolutely love the way this show is edited. They thought ahead so much with this show and you can tell with how it plays with chronology and sequence to the point where you have no idea what the next scene is going to be sometimes. It just keeps adding and adding as the show goes along and you just get the feeling of if it can go wrong, it will go wrong and while it can be really funny, it can also be really harrowing and stressful. Just a masterclass of tone balancing with its drama and comedy. It also has some great action in it to top it all off. A very one of a kind show and one that is criminally underwatched and underrated, give it a watch if you haven't. P.S. couldn't get out of my head that John looked like Alexander Skarsgard and Lawrence looked like Jermaine Clement. They look so similar to them.

# Patriot (TV) - Season 1 Review Patriot is one of most unique, fully realized pieces of television I've seen. Its writing, direction, performances, music, and overall cohesiveness come together in a way that feels deliberate at every level, resulting in something that remains massively underrated. ## The Creative Genius of Steven Conrad Steven Conrad's role as creator, writer, and director is central to why series works. There is a clear, unified vision guiding every aspect of production. Nothing feels accidental. Pauses are intentional, line readings are controlled, and visual choices consistently reinforce same quiet, off-center tone. The direction never pushes too hard; it avoids excess and instead relies on precision. It trusts material and allows moments to exist without forcing clarity or resolution too early. ## Conrad's Writing The show's greatest strength is its writing. The dialogue is awkward, simple, understated, and consistently believable - all in the best possible way. That restraint creates space for everything else to work. Instead of relying on heavy exposition, show trusts audience to infer meaning through behavior, tone, and context. Characters are written with unusual depth, revealing themselves gradually without ever feeling over-explained. ## The Cast The cast understands this tone completely and executes it with precision. Every line feels intentional, and every performance fits seamlessly into show's rhythm. Michael Dorman's portrayal of John carries a quiet weight that anchors series. Chris Conrad's Dennis brings a specific, offbeat energy that could easily fall apart in less capable hands but instead becomes essential. Aliette Opheim's Agethe balances inexperience with competence in a way that feels grounded and human. Supporting performances from Kurtwood Smith and Terry O'Quinn further reinforce consistency of cast. There are no weak links, and more importantly, no performances that feel like they belong to a different show. ## The Sights and Sounds... Visually, the show reflects that same philosophy. The cinematography is patient and observant, often holding shots longer than expected. This creates a subtle discomfort that aligns with the internal tension of characters. Framing is controlled but not showy, reinforcing a grounded, almost mundane reality. That grounded approach makes more absurd or surreal elements feel sharper by contrast. The goal is not to impress visually, but to sustain immersion. The music plays a structural role rather than a decorative one. John's songs function as a form of emotional exposition, conveying internal states that dialogue intentionally avoids stating outright. They carry tone, backstory, and conflict in a way that feels integrated rather than imposed. Removing them would fundamentally change show's identity. ## Watch this show. What ultimately distinguishes Patriot is its cohesiveness. Every element-writing, performances, direction, music, and pacing-feels designed in relation to the others. Nothing feels added on or out of place. The humor, tension, and underlying melancholy coexist without undermining each other. Maintaining that balance is difficult, and show sustains it consistently. The pacing contributes to this effect. It can initially feel slow or unconventional, but it is clearly intentional. The series prioritizes presence within moments over rapid plot progression. That patience allows emotional beats to land with more weight and gives scenes a lingering impact. Equally important is the show's restraint. It avoids over-explaining, avoids conventional dramatic peaks, and resists the kind of forced resolution that many series depend on. This confidence in what not to do strengthens its identity and keeps it from feeling formulaic. Patriot is not just well executed; it is fully coherent. It understands its tone, its characters, and its structure, and it commits to them without compromise. That clarity, combined with consistent execution across every level of production, is rare. It is the kind of series that remains distinct not just while watching, but long after.