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The King of Comedy

7.8PG

MovieDrama, Comedy19821h 49m

It's no laughing matter.

Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.

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The King of Comedy poster

Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.

Directed by
Martin Scorsese
Written by
Paul D. Zimmerman
Genres
Drama, Comedy
Released
December 18, 1982
Runtime
1h 49m
Status
Released
Language
English
Countries
United States of America
Studios
Embassy International Pictures
Budget
$19,000,000
Box office
$2,536,000
  • Robert De NiroRupert Pupkin
  • Jerry LewisJerry Langford
  • Diahnne AbbottRita
  • Sandra BernhardMasha
  • Shelley HackCathy Long
  • Frederick de CordovaBert Thomas
  • Ed HerlihyEd Herlihy
  • LLou BrownBand Leader
  • LLoretta TupperStage Door Fan
  • PPeter PotulskiStage Door Fan
  • VVinnie GonzalesStage Door Fan
  • WWhitey RyanStage Door Guard
  • DDoc LawlessChauffeur
  • Marta HeflinYoung Girl
  • KKatherine WallachAutograph Seeker
  • CCharles KaleinaAutograph Seeker
  • RRichard BaratzCaricaturist
  • Catherine ScorseseRupert's Mom (voice)
  • Cathy ScorseseDolores
  • Chuck LowMan in Chinese Restaurant

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  • Ian Beale★ 8February 18, 2017
    **De Niro as yet another deluded psycho** De Niro is Rupert Pitkin, a comedian who seeks to be as famous as his hero, Jerry Lewis. Pupkin could be Travis Bickle's equally disturbed brother - both of them living in New York and both of them losing their minds in unison. After much rejection, the crazed Pupkin decides to kidnap his hero and hold him for ransom until a studio gives him a big break. Jerry Lewis is…Read more

    **De Niro as yet another deluded psycho** De Niro is Rupert Pitkin, a comedian who seeks to be as famous as his hero, Jerry Lewis. Pupkin could be Travis Bickle's equally disturbed brother - both of them living in New York and both of them losing their minds in unison. After much rejection, the crazed Pupkin decides to kidnap his hero and hold him for ransom until a studio gives him a big break. Jerry Lewis is impressive as the total bastard that Pupkin so admires. A disturbing movie that is more relevant nowadays than ever since the advent of the Big Brother tv show which places national attention on people with no talent. - Ian Beale

  • adorablepanic★ 10April 7, 2020
    Martin Scorsese's THE KING OF COMEDY was the lowest-grossing major studio film of 1982. It isn't difficult to see why: It's loaded with uncomfortable situations; there is no obvious protagonist; no sympathetic characters (the one that could potentially get our sympathy turns out to be a thief); and everyone is grating and/or unpleasant (even Tony Randall plays 𝙝𝙞𝙢𝙨𝙚𝙡𝙛 as a demanding prick). This lack of popula…Read more

    Martin Scorsese's THE KING OF COMEDY was the lowest-grossing major studio film of 1982. It isn't difficult to see why: It's loaded with uncomfortable situations; there is no obvious protagonist; no sympathetic characters (the one that could potentially get our sympathy turns out to be a thief); and everyone is grating and/or unpleasant (even Tony Randall plays 𝙝𝙞𝙢𝙨𝙚𝙡𝙛 as a demanding prick). This lack of popularity was the audience's loss, as Paul Zimmerman graced Scorsese with a screenplay which was just as prescient on the topic of fame as Paddy Chayefsky's NETWORK (1976) was on the future of television. In a day and age where television reality shows and online video platforms allow talent-bereft fame-seekers to offer their wares to an anesthetized public, De Niro's Rupert Pupkin displays an uncanny ambition just by leaving his mother's basement, much less his willingness to use crime as a means to his end.

  • CinemaSerf★ 7October 22, 2023
    Robert De Niro is great in this enjoyable comedy about the aspiring comedian "Pupkin" who is prepared to go to great lengths to get his moment in the sun. To that end he doorsteps acclaimed chat-show host "Jerry" (the entirely convincing Jerry Lewis) and, not exactly lacking in self-confidence, convinces him to listen to his material. Anything for a peaceable life thinks the star and agrees clearly just to be rid of…Read more

    Robert De Niro is great in this enjoyable comedy about the aspiring comedian "Pupkin" who is prepared to go to great lengths to get his moment in the sun. To that end he doorsteps acclaimed chat-show host "Jerry" (the entirely convincing Jerry Lewis) and, not exactly lacking in self-confidence, convinces him to listen to his material. Anything for a peaceable life thinks the star and agrees clearly just to be rid of the man. "Pupkin", though, isn't so easily deterred and what ensues now are a rather darkly comedic series of escapades as the little man determines to get that spotlight - even if he has to turn to lying, housebreaking - even kidnapping. The writing here is taut and entertaining; the characters - especially that of the rather pompous "Jerry" are well crafted by the actors who really seem to be enjoying their roles. Martin Scorsese manages to skilfully keep this on the right side of what could easily have become far-fetched farce. It's the ultimate speculate to accumulate film poking fun at the whole television "opportunity" system, and with the odd sight of an almost unrecognisable Ed Herlihy it all adds up to a fun film to watch and I challenge anyone not have a laugh here.

  • r96sk★ 8August 12, 2024
    A bit long-winded, but undoubtedly a very good movie. <em>'The King of Comedy'</em> has a sturdy Robert De Niro lead performance, as well as solid support from Jerry Lewis and Sandra Bernhard. I enjoyed seeing the split from what actually happens and how De Niro's Rupert Pupkin views things via his dreams; especially with how merged they become by the end. Absolutely zero surprise to now learn that Todd Phillip…Read more

    A bit long-winded, but undoubtedly a very good movie. <em>'The King of Comedy'</em> has a sturdy Robert De Niro lead performance, as well as solid support from Jerry Lewis and Sandra Bernhard. I enjoyed seeing the split from what actually happens and how De Niro's Rupert Pupkin views things via his dreams; especially with how merged they become by the end. Absolutely zero surprise to now learn that Todd Phillips and Scott Silver used this and <em>'Taxi Driver'</em> as inspiration when writing <em>'Joker'</em>. Quite cool though!

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